![]() ![]() ![]() Photo: Hugo Maertens- Bruges, Wien design by Rahlwespietz, Frankfurt/M. Recorded live by Holger Scheuermann & Jost Gebers during the Total Music Meeting on November 6th, 1999, at Podewil in Berlin.īooklet front artwork: “Eidos” (2009) by Franz West. Rüdiger Carl: clarinet, accordion, claviola Nice interplay, lots of zany and tender moments, and it’s always a pleasure to hear Reichel’s daxophone (and if you don’t know what that is, I suggest you google it)." A very fine set of free improvisation featuring an instrumentation as unorthodox as it can get. Live in Berlin features a previously unreleased live recording from Total Music Meeting 1999. The “+” is Jin Hi Kim on komungo (a Korean koto). Learn more about the piece and artist, and its final selling price. "Manuela is Rüdiger Carl (clarinet, accordion, claviola), Hans Reichel (guitar, daxophone) and Carlos Zingaro (violin). View Otium by Franz West sold at Under the Influence on, 10am & 2pm times.40 Similarly, whereas art historian Franz Roh saw Baumeisters most. My friend, I think that is a first for FMP as far as recording cover tracks goes." in 1949, West Germany also had to distinguish its national identity from. Also worthy of note: the last track is a fairly straight ahead (okay, make that recognizable) version of “Those Were the Days” (credited to Paul McCartney but actually written by Boris Fomin). The late Austrian artist Franz West (19472012) was one of the most influential artists of the past 50 years. Absolutely delicious - this is a fully satisfying listen! Track three, “Pro,” is the “pro” in improvise and is a delightful find. I’ve always been a fan of plucked strings and this group serves up a beautiful portion of steroidal pizzicato. Despite mixed critical reception in the west, the game was sold well and. A nice balance just in the strings alone - at times lulling and sweet but then juxtaposed with harsh tones. Mad Maestro, known in Japan as Bravo Music (, Burab Myjikku). she was based in West Africa with her husband (and fellow anthropologist). It is quite lovely, but not in a typical way - this is FMP, after all. The biographies of Bronislaw Malinowski and Franz Boas exemplify some of. "And just when you thought you’d heard it all here comes a recording with claviola, daxophone, and komungo! This is old world charm teamed up with East Asian influences meets new school improv. ![]()
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